Kindle: A Fujifilm X100V Film Recipe (In-Camera JPEG + Lightroom/RAW Guide)
- Edward Leung
- Jul 31
- 4 min read



The Look
This cycle's reference wasn't a landscape or a street scene, it was a soaring, ribbed transit-hall ceiling radiating warm amber light from a single glowing point, with a crowd reduced to near-silhouette on the dark floor below. The result is a radiant, high-contrast "warm core, crushed edges" aesthetic: a near-monochromatic wash of gold and amber in the highlights, deep, almost-black shadows that hold just enough detail to read as shapes, and strong architectural micro-contrast. Kindle is built for grand interiors, transit halls, market stalls, and any scene organized around one dominant light source, but it holds up well on warm-lit architecture generally.
Fujifilm X100V In-Camera Recipe
Classic Negative gives the deep, slightly gritty contrast this look needs, with a naturally warm-leaning highlight cast and textured, desaturated shadows, Velvia or Eterna Bleach Bypass would either oversaturate the palette or fight the recipe's warm-dominant color story.
Setting | Value | Notes |
Film Simulation | Classic Negative | Deep contrast, warm-leaning highlights, textured shadows -- the closest built-in match to a radiant amber interior. |
Dynamic Range | DR400 | Holds detail in both the blazing ceiling light and the near-black crowd/floor below it. |
Highlight Tone | -2 | Softens the brightest point of the light source so it glows rather than clips. |
Shadow Tone | +2 | Crushes the shadows for the silhouette-heavy floor and crowd. |
Color | +1 | Keeps the amber/gold richness from reading flat under Classic Negative's baseline desaturation. |
Sharpness | +1 | Crisp edges for ribbed architectural ceilings. |
Noise Reduction | -3 | Light touch -- lets natural grain and texture show, especially in the shadow floor. |
Grain Effect | Strong, Large | Gritty, photojournalistic texture for the cavernous, high-ISO interior mood. |
Color Chrome Effect | Strong | Deepens saturated ambers and golds without blowing them out. |
Color Chrome FX Blue | Weak | This scene is warm-dominant with very little blue -- kept weak so it doesn't fight the amber cast. |
White Balance | Auto, R: +4, B: -2 | Pushes the image warmer/more amber, with only a light pull against blue. |
ISO | Auto (200-6400) | Handheld interior shooting -- expect the upper end of the range. |
Exposure Comp. | -1 to -1 1/3 | Underexpose to protect the highlight core and deepen the shadow crush. |
Lightroom / RAW Preset
The Lightroom version reconstructs the same radiant-core look for RAW files, strong contrast, a genuinely crushed (not lifted) shadow curve, and a highlight-dominant warm/cool split that favors the gold almost entirely.
Setting | Value | Notes |
Profile | Adobe Color | Neutral starting point. |
Exposure | -0.20 | Slight underexposure to protect the highlight core. |
Contrast | +30 | Strong punch -- the defining trait of this look. |
Highlights | -55 | Protects the blazing central light source from clipping. |
Shadows | -15 | A genuine crush, not a lift -- the opposite of an HDR interior treatment. |
Whites | 0 | Left neutral; the Highlights slider does the protecting. |
Blacks | -15 | Deepens blacks for the silhouette-heavy floor and crowd. |
Temperature | +15 | Strong warm push toward the amber/gold cast. |
Tint | +4 | Slight magenta to keep the warm cast from drifting green under mixed lighting. |
Vibrance | +20 | Rich ambers and golds without oversaturating skin tones. |
Saturation | +5 | Small overall lift to reinforce the richness. |
Clarity | +20 | Strong local contrast/micro-contrast for ribbed ceiling texture. |
Dehaze | +12 | Cuts through the light bloom around the central glow and deepens its edges. |
Vignette | -20 | Reinforces the frame's natural architectural draw toward the radiant center. |
Tone Curve
A strong, asymmetric S-curve: shadows and darks pulled well down toward black, midtones held with a touch of extra punch, and the very top of the highlight range rolled off to protect the light source from clipping. Highlights: rolled off. Lights: slight increase. Darks: strong decrease. Shadows: strong decrease.
HSL / Color Mixer
Red Hue 0, Saturation +10. Orange Hue +5, Saturation +20, Luminance +5 (the dominant ceiling glow). Yellow Hue -5, Saturation +15. Green Hue -15, Saturation -25 (suppresses any green cast from mixed station lighting). Aqua Hue -10, Saturation -10. Blue Hue 0, Saturation -15, Luminance -10 (keeps shadows neutral-cool and desaturated rather than pushing a true teal). Purple Hue 0, Saturation -10. Magenta Hue 0, Saturation -5.
Split Toning
Highlights: Hue 42, Saturation 18 (rich amber/gold). Shadows: Hue 230, Saturation 6 (a very light cool-neutral tint -- just enough to keep the crushed shadows from looking muddy-warm, far weaker than a true teal split). Balance: +15, strongly favoring the warm highlights since this is a highlight-dominant image rather than a balanced two-tone split.
Detail
Sharpening -- Amount: 50, Radius: 1.0, Detail: 30, Masking: 15. Noise Reduction -- Luminance: 18, Detail: 50, Contrast: 5, Color: 25, Color Detail: 50, Smoothness: 50.
Calibration
Red Primary Hue +5, Saturation +10. Green Primary Hue -10, Saturation -5. Blue Primary Hue 0, Saturation +5.
White balance is intentionally left as-shot in the .xmp preset file -- dial in warmth per scene, or match the in-camera recipe's WB shift (R+4/B-2).





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