Amber Dusk: A Fujifilm X100V Film Recipe (In-Camera JPEG + Lightroom/RAW Guide)
- Edward Leung
- Jul 27
- 3 min read



The Recipe
Three frames from a March 2024 Japan trip, a steaming hot-spring field glowing purple-blue at night, a lamplit backstreet crossing at dusk, and an overcast river town under late-winter snow. This recipe chases a cinematic teal-and-amber look built for city lights and blue hour: cool, gently deepened shadows against warm, glowing highlights, with a filmic grain structure layered on top.
Fujifilm X100V Film Recipe
Setting | Value | Notes |
Film Simulation | Eterna Bleach Bypass | High-contrast, desaturated cinematic base, the closest built-in match to a teal/orange bleach-bypass grade. |
Dynamic Range | DR200 | Enough highlight headroom for glowing windows/signage without flattening the shadows. |
Highlight Tone | +1 | Keeps lit windows and signage crisp rather than glowing soft. |
Shadow Tone | +2 | Deepens the shadows for a moodier, more cinematic look. |
Color | +1 | A small push back against Eterna Bleach Bypass's baseline desaturation. |
Sharpness | 0 | Neutral — cinematic but not soft. |
Noise Reduction | -2 | Light touch, lets natural grain/texture show at higher ISOs. |
Grain Effect | Strong, Large | Heavier, more visible grain — sells the cinematic night-street mood. |
Color Chrome Effect | Strong | Deepens saturated ambers (streetlights, signage) without blowing them out. |
Color Chrome FX Blue | Strong | Enriches the blue/teal dusk sky and cool shadow tones. |
White Balance | Auto, R -3 / B +4 | Pushes the overall cast cooler/bluer, so the warm practical lights read as genuine contrast. |
ISO | Auto (160-6400) | Low light scene — expect the upper end of the range to get used. |
Exposure Comp. | -2/3 to -1 | Underexpose to protect the bright highlights and deepen the shadows. |
Lightroom / RAW Equivalent
Setting | Value | Notes |
Profile | Adobe Color | Neutral starting point for further adjustment. |
Exposure | -0.25 | Mild underexposure — kept light so genuinely dark night frames don't collapse to near-black. |
Contrast | +20 | Cinematic punch without flattening shadow detail. |
Highlights | -30 | Protects glowing windows/signage from clipping. |
Shadows | -10 | A gentle crush — deepens the mood while keeping silhouettes readable. |
Whites | +5 | Keeps the brightest highlight points crisp. |
Blacks | -10 | Reinforces the crushed-shadow look without eating fine detail. |
Temperature | -5 | Cooler overall cast. |
Tint | +3 | Slight magenta to keep the cool cast from reading green. |
Vibrance | +10 | Pushes the teal/amber color separation. |
Saturation | -8 | Slight overall desaturation for the bleach-bypass cinematic feel. |
Clarity | +15 | Extra edge contrast/punch. |
Dehaze | +8 | Cuts through ambient city haze and deepens the sky. |
Vignette | -20 | Stronger, more cinematic frame darkening than a daylight recipe. |
Tone Curve
A cinematic S-curve: darks pulled down for contrast, mid-lights nudged up for punch, and highlights held just below linear near the top to protect bright practical lights from clipping.
HSL / Color Mixer
Red Hue 0, Saturation -5. Orange Hue +5, Saturation +15, Luminance +5 (warm streetlight glow). Yellow Hue +5, Saturation +10. Green Hue -10, Saturation -20 (suppresses a sickly city-light green cast). Aqua Hue -10, Saturation +15. Blue Hue -5, Saturation +20, Luminance -10 (deepens the teal dusk sky/shadows). Purple Hue 0, Saturation -10. Magenta Hue 0, Saturation -5.
Split Toning
Shadows: Hue 200, Saturation 15 (cool teal-blue). Highlights: Hue 40, Saturation 10 (warm amber). Balance -10, favoring the shadow tint slightly.
Detail
Sharpening: Amount 45, Radius 1.0, Detail 30, Masking 10. Noise Reduction — Luminance 15, Detail 50, Contrast 10, Color 30, Color Detail 50, Smoothness 50.
Calibration
Red Primary: Hue 0, Saturation +5. Green Primary — Hue -10, Saturation -5. Blue Primary — Hue +5, Saturation +10.
These settings aim to reproduce a cinematic teal-and-amber city-at-dusk aesthetic — deepened, silhouette-friendly shadows, glowing warm practical lights, and a cool blue-hour sky — as a starting point for further creative adjustment. A downloadable Lightroom .xmp preset for this recipe is on its way — check back soon, or see the Amber Dusk write-up in the after55ed archive.





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